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Excerpts from an interview published in 2019: insights into Žarko’s work . . . In my literature, the writer’s need to come as close as possible to reality in fiction, and to use authentic names and his own Self, is … Continue reading
I’m writing a biography, of sorts, of Zarko Radakovic. Fragments of biography. Flights of fancy interspersed with passages from my notebooks. Reading through a notebook I filled on a trip to Alsace and Paris (in Paris I met Zarko and … Continue reading
The German artist Rainer Splitt just sent me the catalogue of his exhibition at the Museum gegenstandsfreier Kunst. It was a remarkable exhibition, thoughtful and beautiful and surprising at every turn. A couple of glances inside the catalogue: I wrote … Continue reading
The Motion of Form and the Form of Motion Rainer Splitt’s Farbgüsse / Colorpours Duration is a case of a “transition,” of a “change,” a becoming, but it is a becoming that endures, a change that is substance itself. … Continue reading
The Motion of Form and the Form of Motion Rainer Splitt’s Farbgüsse / Colorpours Duration is a case of a “transition,” of a “change,” a becoming, but it is a becoming that endures, a change that is substance itself. … Continue reading
534 WEST 26TH ST JULIJE KNIFER FEBRUARY 6 – MARCH 15, 2014 Mitchel-Innes & Nash in New York City is announcing their exhibition of works by Julije Knifer, the first such solo exhibition of his works in the United States. … Continue reading
This painting by Serbian-German painter Nina Pops has been hanging on our wall for a month now. It was part of the November exhibition “Querschnitt” at Cologne’s Kulturbunker, for which I wrote an essay. It seems miraculous that the painting … Continue reading
THE GOALIE'S ANXIETY 